Dein Suchergebnis zum Thema: Bad

[Translation/transcription] 1 Albert Studios 4 Albert Street NW1 22 August 1958 Dear Hodin, Many thanks for your kind card. The exhibition is going so so – not many reviews so far. Pierre Rouve was here for the private view, and Laurence Alloway. Eric Newton also put his name in the guest book. A well-meaning collective critique in The Times is the only thing that has been published so far (anonymously). There are no art reviews at all in the Statesman or the Spectator. I suppose none of them live in London – perhaps next week. The little self-portrait Room II …
I hope the whole family is well and the weather not too bad (as it is here, for example

Artist page for Dame Ethel Walker (1861–1951)
There are only two kinds of artist — bad and good‘, she was elected Honorary President

[Translation/transcription] 1 Albert Studios 20 Albert Street NW1 25 May 1967 Many thanks for the [illegible] letter and the many other things you’ve taken in hand for me. Now you’ve gone one better by schlepping my folio of etchings over to OK, and OK has written a letter of recommendation to Apollo for his little brother. I’m sure he meant well, and who likes working without appreciation and encouragement, or who else but a hopeless introvert?! Well, the etchings (drypoints for the most part) are a by-product of my life’s work and, as is so often the case, for me …
A bad job for you. I am sorry you went to all that trouble.

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
Samuel Keene 2 September 1871 View by appointment Wood engraving titled ‘Too Bad

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
Charles Samuel Keene 23 March 1867 View by appointment Wood engraving titled ‘Bad

This collection, which has now been digitised and made available to view online, includes primarily wood engravings, many of which were used to illustrate ‚Punch‘, and other similar publications, such as ‚Once a Week‘, by Charles Keene. These illustrations cover a substantial part of his career, dating from 1861 to 1888. Also available online are a number of preparatory pencil and ink studies that appear to have informed his wood engravings for ‚Punch‘, as well as etchings, including one early design for and illustration printed in Daniel Defoe’s book, ‚The Life and Surprising Adventures of Robinson Crusoe‘, published in 1847.
Samuel Keene 28 September 1867 View by appointment Wood engraving titled ‘A Bad

film about 1992 turner prize winner Grenville Davey
think it brings contemporary art really into a very sharp focus which can’t be a bad

film nterview about artist Dorothy Cross Virgin Shroud
Important recent group exhibitions include Bad Girls, Institute of Contemporary Arts

Isn’t that sad that they have to hurt me, in order to rise above, isn’t that too bad

on Francis Bacon When Damien was a kid, he says: ‚All my paintings were like bad