Lois Fine born 1931 | Tate https://www.tate.org.uk/art/artists/lois-fine-1092
Artist page for Lois Fine (born 1931)
noted for her play Freda and Jem’s Best of the Week, which premiered at Buddies in Bad
Dein Suchergebnis zum Thema: Bad
‘‘Letter from Edward Renouf to Anny Schey von Koromla‘, Edward Renouf, recipient: Anny Schey von Koromla, 20 February 1933‘, Edward Renouf, recipient: Anny Schey von Koromla, 20 February 1933 – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-200730-2-1-35-53/letter-from-edward-renouf-to-anny-schey-von-koromla
Waldfrieden 20 February Annerl! I’m sat here quite distraught over you! I don’t know what I can say or do to make you believe me. Spring is coming, the whole blue sky is sparkling in bright sunshine, the ice is melting, the ground is beginning to swell, and I can hardly wait to jump on a steamer and run straight into your arms . . . . . . . . ! Then I receive these lovely letters from your children, telling me that you dare not write to me for fear of getting in the way of my career! …
how will it ever happen if I’m traipsing around New York selling hair tonic or bad
Sheela Gowda: Studio visit | Tate https://www.tate.org.uk/art/artists/sheela-gowda-18148/sheela-gowda-studio-visit
humble talismans of human hair that are knotted around car bumpers to ward off bad
Damien Hirst on Francis Bacon | Tate https://www.tate.org.uk/art/artists/francis-bacon-682/damien-hirst-francis-bacon
Hirst on Francis Bacon When Damien was a kid, he says: ‚All my paintings were like bad
‘‘Audio Arts: Volume 21 No 2‘, Audio Arts, 2003‘, Audio Arts, 2003 – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-200414-7-3-1-64/audio-arts-volume-21-no-2
This Audio Arts issue, originally published as an audio cassette magazine in 2003, includes contributions from Marion Coutts, Wim Wenders, Paul McCarthy, Victor Burgin, John Giorno and Cuauhtemoc Medina.
process. 00:37:43 The American poet John Giorno performing his poem There Was a Bad
Damien Hirst: For the Love of God | Tate https://www.tate.org.uk/art/artists/damien-hirst-2308/damien-hirst-love-god
short film about Damien Hirst diamond covered skull
on Francis Bacon When Damien was a kid, he says: ‚All my paintings were like bad
Studio: Cindy Sherman | Tate https://www.tate.org.uk/art/artists/cindy-sherman-1938/studio-cindy-sherman
Exclusively for Tate, artist Cindy Sherman has photographed her own studio. Betsy Berne interviews her.
Sherman came of age with the Big Bad Boy artists of the 1980s, and, unlike some of
BANK (Simon Bedwell born 1963, John Russell born 1963, Milly Thompson born 1964) | Tate https://www.tate.org.uk/art/artists/bank-20528
Artist page for BANK (Simon Bedwell born 1963, John Russell born 1963, Milly Thompson born 1964)
Headlines included, „AD MAN YOU’RE A BAD MAN,“ and, „GALLERIES ‚ALL OWNED BY RICH
‘‘Letter from Erich Kahn to J.P. Hodin‘, Erich Kahn, recipient: Dr J. P. Hodin, 22 August 1958‘, Erich Kahn, recipient: Dr J. P. Hodin, 22 August 1958 – Tate Archive | Tate https://www.tate.org.uk/art/archive/items/tga-20062-4-188-5/letter-from-erich-kahn-to-j-p-hodin
[Translation/transcription] 1 Albert Studios 4 Albert Street NW1 22 August 1958 Dear Hodin, Many thanks for your kind card. The exhibition is going so so – not many reviews so far. Pierre Rouve was here for the private view, and Laurence Alloway. Eric Newton also put his name in the guest book. A well-meaning collective critique in The Times is the only thing that has been published so far (anonymously). There are no art reviews at all in the Statesman or the Spectator. I suppose none of them live in London – perhaps next week. The little self-portrait Room II …
I hope the whole family is well and the weather not too bad (as it is here, for example