From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
Baden-Baden: Holle, 1969. pp. 36–37, 103. Crosby, Sumner McK.
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
Baden-Baden: Holle Verlag, 1980. p. 195. Schiller, Gertrud.
the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
Alfred Bader. Künstler-Tragik: Karl Stauffer, Vincent van Gogh.
This picture was painted in 1653 for the Sicilian nobleman Don Antonio Ruffo (1610/11–1678) and sent from Amsterdam to his palace in Messina during the summer of 1654. Ruffo was an avid collector; at his death he had 364 paintings, including a work by Van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, now also in The Met (Collected Opinions: Essays on Netherlandish Art in Honour of Alfred Bader. Ed.
Baden-Baden: Holle Verlag, 1965. p. 77, ill. fig. 28, ill. flipped.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Askew Grace Astrove Isabel Bader Willam Baker and Cassandra Hardman Lily and Doug
Collection of Thomas Howard, Earl of Arundel (1585-1646); until 1875, collection of the Dukes of Marlborough; by 1900, collection of Sir Arthur Evans; acquired in 1941, purchased from the estate of Sir Arthur Evans
trepublikanischer und augusteischer Zeit. pp. 67, n. 10, 68, n. 17, 79, n. 78, pl. 72.3, Baden-Baden
Staatliche Kunsthalle Baden-Baden.
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
Malerei der Renaissance im Briefwechsel von Giovanni Morelli und Jean Paul Richter," Baden-Baden
The Painting: This very unusual mixed-media picture shows a rehearsal for a ballet. The view is from a slightly elevated point above the orchestra pit; the scrolls of two double basses are just visible in the foreground, radically cropped at the bottom of the canvas
Patrick Bade. Degas. London, 1991, pp. 84–85, 143, ill. (color).
