Bowl depicting a Man holding a Cup and a Flowering Branch – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/452833
Baden-Baden: Holle Verlag, 1965. p. 77, ill. fig. 28, ill. flipped.
Dein Suchergebnis zum Thema: Bad
Salâh Cimcoz (also Salâhattin Cimcoz) – The Metropolitan Museum of Art https://www.metmuseum.org/research-centers/leonard-a-lauder-research-center/research-resources/modern-art-index-project/cimcoz-s
Istanbul, 1877–Istanbul, 1947
Tophane Kabataş Neighborhood, ca. 1930s; private collection), Léopold Lévy’s Çağla badem
Individuals – The Metropolitan Museum of Art https://www.metmuseum.org/support/individuals
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Askew Grace Astrove Isabel Bader Willam Baker and Cassandra Hardman Lily and Doug
Sardonyx cameo portrait of the Emperor Augustus – Roman – Early Imperial, Claudian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/254473
Collection of Thomas Howard, Earl of Arundel (1585-1646); until 1875, collection of the Dukes of Marlborough; by 1900, collection of Sir Arthur Evans; acquired in 1941, purchased from the estate of Sir Arthur Evans
trepublikanischer und augusteischer Zeit. pp. 67, n. 10, 68, n. 17, 79, n. 78, pl. 72.3, Baden-Baden
Juan Gris – Harlequin with a Guitar – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/490068
Staatliche Kunsthalle Baden-Baden.
Head of a ruler – Early Bronze Age – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/329077
[By 1918, R.D. Messayeh, New York]; [1919, purchased by Joseph Brummer from Messayeh, New York (Brummer inv. no. N315)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
Baden-Baden: Holle, pp. 55-6, fig. 38.
Francesco Francia – Saint Roch – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436332
This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
Malerei der Renaissance im Briefwechsel von Giovanni Morelli und Jean Paul Richter," Baden-Baden
Column Statue of a King – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466311
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
Baden-Baden: Holle, 1969. pp. 36–37, 103. Crosby, Sumner McK.
The Cloisters Cross – British – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/470305
Inscription: (central medallion (A), front, on scroll of Moses, center): SIC . ERIT . VITA . TVA . PENDENS / . ANE . N . CREDES . VITE . TVE (Thus your life will hang in the balance before [you], you will not be sure of your life [Deuteronomy 28:66])(central medallion (A), front, on upper left scroll): SICVT
Baden-Baden: Holle Verlag, 1980. p. 195. Schiller, Gertrud.
Correggio (Antonio Allegri) – Saints Peter, Martha, Mary Magdalen, and Leonard – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435992
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
Malerei der Renaissance im Briefwechsel von Giovanni Morelli und Jean Paul Richter," Baden-Baden