Dein Suchergebnis zum Thema: Bad

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
attribution to Hubert; suggests the figure with a turban that appears alongside the bad

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg
bears the name of the donatrix, Margarethe, daughter of the margrave Karl I of Baden

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg
bears the name of the donatrix, Margarethe, daughter of the margrave Karl I of Baden

Batthyany, Vienna ; Count Arthur Batthyany ; Frederick I, Grand Duke of Baden 1826â
Batthyany, Vienna ; Count Arthur Batthyany ; Frederick I, Grand Duke of Baden 1826â

In Max Beckmann’s Dance in Baden-Baden (1923), stylishly dressed couples go through
In Max Beckmann’s Dance in Baden-Baden (1923), stylishly dressed couples go through

From the high altar of the Cistercian abbey, Lichtenthal, near Baden-Baden, Baden-Württemberg
1489 and bears the name of the donor, Margarethe, daughter of Margrave Karl I of Baden

Search art at the Metropolitan Museum.
Holy Land) Nicolas Le Huen 1488 Sample French, Mulhouse ca. 1840 L’Été �  Bade

Search art at the Metropolitan Museum.
en Terre Sainte (Pilgrimage to the Holy Land) Nicolas Le Huen 1488 L’Été �  Bade

From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
Baden-Baden: Holle, 1969. pp. 36–37, 103. Crosby, Sumner McK.

[By 1918, R.D. Messayeh, New York]; [1919, purchased by Joseph Brummer from Messayeh, New York (Brummer inv. no. N315)]; acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
Baden-Baden: Holle, pp. 55-6, fig. 38.