Tatreez in Time – The Metropolitan Museum of Art https://www.metmuseum.org/perspectives/tatreez-in-time
The memory, meaning, and makers of Palestinian embroidery.
by more experienced hands, perhaps by her mother, to protect her daughter from bad
Dein Suchergebnis zum Thema: Bad
Immaterial: Wood – The Metropolitan Museum of Art https://www.metmuseum.org/perspectives/immaterial-wood
The most musical tree in the world.
It doesn’t have any bad habits.
Gothic Revival Library | The Metropolitan Museum of Art https://www.metmuseum.org/about-the-met/collection-areas/the-american-wing/period-rooms/gothic-revival-library
This library comes from a red-brick Gothic Revival villa built for banker Frederick Deming (1787–1860) and his family in the hamlet of Balmville, New York. The house is a classic example of the Gothic Revival style in domestic architecture and the room is arranged to illustrate how an upper-middle-class family might have furnished their library.
Goadesberg" on his sketch from May 9, 1852, is probably a reference to the town Bad
Mexican Prints at the Vanguard – The Metropolitan Museum of Art https://www.metmuseum.org/perspectives/mexican-prints
Discover the rich history of printmaking in Mexico and the The Met’s collecting of these prints.
active 1870s), El pueblo merece malos gobernantes cuando los tolera (People deserve bad
‚Abd al-Qadir Hisari – Calligraphic Galleon – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/454611?exhibitionId=%7Bad608298-292f-407e-a0ef-998952401843%7D&oid=454611&pkgids=571&pg=1&rpp=4&pos=3&ft=*&locale=en
Calligraphic GalleonSweeping golden calligraphy forms the hull of this galleon, at sail upon a sea composed of miniscule ghubar (dustlike) script. Referred to as calligrams, images composed entirely from calligraphy were created in many regions of the Islamic world, including Persia and India, but were especially popular in Ottoman Turkey
Interwoven Globe | The Metropolitan Museum of Art https://www.metmuseum.org/exhibitions/listings/2013/interwoven-globe
textile
Nagasaki for their annual voyages from Goa, India. 1584: A Spanish galleon, escaping bad
Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436282
The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
attribution to Hubert; suggests the figure with a turban that appears alongside the bad