[Dr. Marcel Lheureux, Paris, acquired 1920s]; P. Alsace; [John J. Klejman, New York, until 1960]; Nelson A. Rockefeller, New York, on loan to The Museum of Primitive Art, New York, 1960–1964; The Museum of Primitive Art, New York, 1964–1978
Berg en dal: Afrika Museum, 2002. Germain, Jacques.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Saul Andrea Krantz and Harvey Sawikin Lilly Scarpetta Mr. and Mrs. David T.
Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
Andrea Bayer 2012 Inscription: Inscribed (on book): PLAV I. sup.I. / I.ff.si q[ui
This panel and a scene showing the Crucifixion of Christ (The Met, 43.161) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
most convincing case for patronage in the persons of Wilhelm of Jülich, Duke of Berg
Italy From Padua From A.D. 1400–1600 Incense burner ca. 1550 Striding Pan Andrea
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
download Masterworks from the Musée des Beaux-Arts, Lille 1992 Free to download "Andrea
This panel and a scene showing the Flagellation of Christ (The Met 2001.216.2) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
most convincing case for patronage in the persons of Wilhelm of Jülich, Duke of Berg
Bibliography of The Met’s Scientific Research department
Bayer, Andrea, Silvia Centeno, and Michael Gallagher.
Andrea Bayer. "Preface." Making The Met, 1870–2020. Ed.
Occasionally, the close scrutiny of early Netherlandish paintings yields quite another finding—that portraits of figures, and sometimes figures in their entirety, were reworked or initially painted by a different hand.
1523; Galleria degli Uffizi, Florence) and a Virgin and Child from the circle of Andrea
