Dein Suchergebnis zum Thema: Adler

no. 1075 (P15) Artwork history & notes Artwork History Provenance (Hirschl & Adler

no. 1071 (P13) Artwork history & notes Artwork History Provenance (Hirschl & Adler

In her youth, Georgia O’Keeffe had been particularly fascinated by the jack-in-the-pulpit. In 1930, she executed a series of six paintings of the common North American herbaceous flowering plant at Lake George in New York.
1921-2009] Boigon, New York, until at least 1971;[1] sold 1972 through (Hirschl & Adler

no. 1081 (P18) Artwork history & notes Artwork History Provenance (Hirschl & Adler

no. 1082 (P19) Artwork history & notes Artwork History Provenance (Hirschl & Adler

Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
Association of Methodist Church of Cincinnati;[4] sold 17 May 1971 through (Hirschl & Adler

Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
Association of Methodist Church of Cincinnati;[4] sold 17 May 1971 through (Hirschl & Adler

The exhibition of Home, Sweet Home in the spring of 1863 auspiciously marked Winslow Homer’s debut as a painter. The painting was enthusiastically admired.
New York, 30 May 1984, no. 19, bought in); consigned 29 August 1984 to (Hirschl & Adler

Cole’s renowned four-part series traces the journey of an archetypal hero along the „River of Life.“ Confidently assuming control of his destiny and oblivious to the dangers that await him, the voyager boldly strives to reach an aerial castle, emblematic of the daydreams of „Youth“ and its aspirations for glory and fame. As the traveler approaches his goal, the ever-more-turbulent stream deviates from its course and relentlessly carries him toward the next picture in the series, where nature’s fury, evil demons, and self-doubt will threaten his very existence.
Association of Methodist Church of Cincinnati;[4] sold 17 May 1971 through (Hirschl & Adler

William Merritt Chase (1849–1916), one of New York’s most prominent artists in the 1880s, surpassed all others in the use of pastel. In his adept hands, pastel’s chalky matter rivaled the authority of oil paint, though with greater receptivity to light and an unmatched velvety texture.
.; Kennedy Galleries, NY; Hirschl & Adler Galleries, New York, 1965; Raymond J. [