Alexander the Great by Florentine 15th Century https://www.nga.gov/artworks/43513-alexander-great
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During the Trojan War, the priest Laocoön angered the Greek gods, who sent snakes to kill him and his two sons. The legend became popular after a monumental, ancient marble sculpture of Laocoön and his sons was unearthed in Rome in 1506.
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Charles Sheeler was a master of both painting and photography, and his work in one medium influenced and shaped his work in the other.[1] In 1927, he was commissioned to photograph the Ford Motor Company’s new River Rouge Plant near Detroit. Then the world’s largest industrial complex, employing more than 75,000 workers, the plant produced Ford’s Model A, successor to the famed Model T.
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This unusually large panel painting depicts three facets of Marian iconography: the Virgin’s corporeal assumption, the Immaculate Conception—the crescent moon and the radiance behind her identify Mary as the Woman of the Apocalyse, mentioned in Revelation 12:I—and the Coronation of the Virgin.
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Fragonard’s brushwork is as much the subject of this painting as the young woman. A flurry of rapid marks captures her blushing face.
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This is no “family� in the usual sense. A harlequin, a jester, a young man in a leotard, a boy in a blue costume, a girl in a tutu with a basket, and a woman in a flowered hat are arranged in this rose-hued landscape.
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Born in Luxembourg, Steichen emigrated as a small child to the United States with his parents, eventually settling in Milwaukee, Wisconsin. At 15 he began a four-year apprenticeship at a lithography firm there and became interested in painting while studying at the newly established Milwaukee Art Students’ League.
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Lorenzo de‘ Medici, the brilliant, learned, and ruthless head of a wealthy banking family, ruled the Italian city-state of Florence in the Renaissance. This bust may copy a wax statue made to commemorate Lorenzo’s survival in 1478, when an assassination plot took the life of his younger brother.
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