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Emaciated Horse and Rider – The Metropolitan Museum of Art

https://www.metmuseum.org/collection/the-collection-online/search/450538

Rider on a NagA number of drawings from the Deccani kingdoms that incorporate marbling are known. A whole group of them illustrate nags; among the Sufis, nags are thought metaphorically to embody the body’s gross desires and therefore are properly shown starved and beaten
interpretations about the yearnings of the soul have been ascribed to such striking images

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Andrea del Sarto (Andrea d’Agnolo) – The Holy Family with the Young Saint John the Baptist – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437609

According to Giorgio Vasari, The Holy Family with the Young Saint John the Baptist, one of the artist’s greatest late works, was painted for the Florentine Giovanni Borgherini. The biographer described the subject of the painting as „the Virgin, an infant St
B[attista]. Cavalcaselle.

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Before Yesterday We Could Fly: An Afrofuturist Period Room – The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/afrofuturist-period-room/visiting-guide

Seneca Village, a 19th-century Black community in today’s Central Park, was displaced in 1857. The exhibit imagines its thriving future through Afrofuturism, art, and storytelling.
transdisciplinary creative mode that centers Black imagination, excellence, and self-determination—this

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Rembrandt (Rembrandt van Rijn) – Hendrickje Stoffels (1626–1663) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437396

The daughter of an army sergeant, Hendrickje Stoffels advanced in Rembrandt’s household from servant (by 1649) to mistress, presumed model, and common-law wife, as well as stepmother to the artist’s son Titus (1641–1668) and mother of his daughter Cornelia (1654–1685)
It is quite likely that the four works were intended to be understood as images of

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Daoism and Daoist Art – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/daoism-and-daoist-art

Over time, Daoism developed into an organized religion—largely in response to the institutional structure of Buddhism—with an ever-growing canon of texts and pantheon of gods, and a significant number of schools with often distinctly different ideas and approaches.
Power—has been understood as a set of instructions for virtuous rulership or for self-cultivation

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Painting by Habiballah of Sava – "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451725

The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
move from their initial quest (talab) to their final goal of annihilation of the self

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