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Guercino (Giovanni Francesco Barbieri) – Samson Captured by the Philistines – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436603

The Artist: One of the great figures of seventeenth-century painting, Giovanni Francesco Barbieri was born in the town of Cento, not far from Ferrara. His nickname, Guercino—literally, “the little crossed-eyed�—derives from an eye defect evident in portraits of the artist
figures, Paolo Zagnoni and Giovanni Battista Cremonini, he was in many respects self-taught

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Jan van Eyck – The Crucifixion; The Last Judgment – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436282

The Artist: For a biography of Jan van Eyck, see the Heilbrunn Timeline of Art History.The Paintings: In unusually tall, narrow paintings, the Crucifixion and Last Judgment emphasize the narrative features of these well-known biblical themes prophesied in Isaiah and related in the Gospels of Matthew, Mark, Luke, and John for the Crucifixion, and in Deuteronomy and the Book of Revelation for the Last Judgment
Before treatment photography B. X-radiography C.

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Edgar Degas – The Rehearsal of the Ballet Onstage – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436155

The Painting: This very unusual mixed-media picture shows a rehearsal for a ballet. The view is from a slightly elevated point above the orchestra pit; the scrolls of two double basses are just visible in the foreground, radically cropped at the bottom of the canvas
have been known to experiment with various media, such as Jasper Johns (American, b.

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Paulus Bor – The Disillusioned Medea – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/435713

This painting, one of Bor’s finest works, dates from about 1640. Its subject and its relationship to a similar picture in the Rijksmuseum, Amsterdam, have been debated, but it is likely that the two canvases were painted as a pair and depict the complementary stories of the disillisioned Medea and Cydippe with Acontius’s apple (see fig
Merry Company on a Terrace Jan Steen (Dutch, Leiden 1626–1679 Leiden) ca. 1670 Self-Portrait

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Intentional Alterations of Early Netherlandish Painting – The Metropolitan Museum of Art

https://www.metmuseum.org/essays/intentional-alterations-of-early-netherlandish-painting

Occasionally, the close scrutiny of early Netherlandish paintings yields quite another finding—that portraits of figures, and sometimes figures in their entirety, were reworked or initially painted by a different hand.
through the window remarkably appears in two Italian paintings of about 1480, a Self-Portrait

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Exhibition Galleries | The Metropolitan Museum of Art

https://www.metmuseum.org/exhibitions/listings/2019/play-it-loud/exhibition-galleries

„Loud“ is not just the description of a sound. It is an attitude. Rock and roll musicians took „loud“ and built it into one of the defining artistic movements of the twentieth century. Fashion, art, politics—all were influenced The
many earlier genres: the piano and saxophone came to early rock and roll from R&B

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