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Vincent van Gogh – Cypresses – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437980

the artist’s brother, Theo van Gogh, Paris (1889–d. 1891; sent to him by the artist on September 28, 1889); his widow, Johanna van Gogh-Bonger, Amsterdam, in trust for their son, Vincent Willem van Gogh (1891–95; consigned by June 1895 to Lucien Moline (Galerie Laffitte), Paris; sold with six other paintings for fl
B. de La Faille. "Vincent van Gogh."

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Adam August Müller – The Hall of Antiquities at Charlottenborg Palace, Copenhagen – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/780292

The Artist: Müller aspired to be a history painter, that is, to specialize in a genre not generally associated with Danish Golden Age painting. His influential teacher, Christoffer Wilhelm Eckersberg (1783–1853), himself a pupil of Jacques Louis David, did produce history paintings, but these lack the simple grace and charm of his portraits, landscapes, and genre scenes
view at The Met Fifth Avenue in Gallery 807 A young watchman’s casual lack of self-awareness

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Charles Le Brun – The Sacrifice of Polyxena – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/442761

The canvas is signed and dated 1647, a year after Charles Le Brun, the future premier peintre du roi under Louis XIV, returned to Paris from a period of study in Rome. In Paris, where he had been the pupil of François Perrier and spent time in the workshop of Simon Vouet, his work had caught the attention of Nicolas Poussin, who had returned to the French capital to work for the king in 1640
Self-possessed she was, even when she had been placed before the fatal altar and

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Velázquez (Diego Rodríguez de Silva y Velázquez) – Juan de Pareja (ca. 1608–1670) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437869

The Background: Between 1649 and 1651, Velázquez travelled to Italy for the second and last time in his life. The main purpose of the trip was to buy paintings and sculptures for King Philip IV of Spain, and while he was in Rome, the painter also received the prestigious commission to portray Pope Innocent X (the canvas is now in the Galleria Doria Pamphilj, Rome)
B. Ponfredi sobre la pintura española].

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