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Donnan, Christopher B. 2010. “Moche State Religion: A Unifying Force in Moche Political

Faience, or tin-glazed and enameled earthenware, first emerged in France during the sixteenth century, reaching widespread usage among elite patrons during the seventeenth and early eighteenth century, prior to the establishment of soft-paste porcelain factories.
decorations that catered to the simpler tastes of the eighteenth century ( 17.190.1893a,b)

From the convent of the Poor Clares at Buda (part of the modern city of Budapest); Countess V. Batthyany, Vienna ; Count Arthur Batthyany ; Frederick I, Grand Duke of Baden 1826–1907 ; his sale, Hôtel Drouot, Paris (January 28-29, 1867, no
Forsyth, William H., and Margaret B. Freeman.

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Selection: 2007–2008" Adlin, Jane, Stijn Alsteens, Dorothea Arnold, Katharine B.

the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
B. W[ehle]. "The Michael Dreicer Collection."

The production of humanist manuscripts in Florence centered around the busy workshops of booksellers, who entrusted the decoration of their volumes to outside painters and professional illuminators.
Lorenzo Monaco (Piero di Giovanni) ca. 1406–7 King David in Prayer in an Initial B

The first Asian designer to become a member of the Paris haute couture syndicate, Hanae Mori occupied a singular position at the forefront of the global fashion industry over the course of her storied five-decade career.
in brilliant colors, often interweaving gold and silver threads ( 2004.467.1a, b)

Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
B[ryson]. B[urroughs]. "Venetian Paintings."

This exhibition celebrates the Central Park Conservancy’s upcoming conservation on the obelisk of Thutmose III, popularly known as „Cleopatra’s Needle.“ Relying primarily on the Metropolitan’s own collection, enhanced with several important loans from local museums and private lenders, it explores the meaning of obelisks in ancient Egyptian divine and funerary cults and considers how these massive monuments were created and erected.
Objects Exhibition Objects The exhibition is made possible by Dorothy and Lewis B.

compound silk twill Dimensions: Overall: a: 10 x 15 1/2 in. (25.4 x 39.4 cm) Overall: b.