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The Prefect Raffaele Raggi by Sir Anthony van Dyck

https://www.nga.gov/artworks/1229-prefect-raffaele-raggi

With one hand resting on a baton and the other on the hilt of his sword, the sitter turns and looks down at the viewer, his haughty expression consistent with the proud swagger of his pose. As he stands before an evening sky and extensive landscape with a distant view of the bay of Genoa, light glints off his armor and deep-red sashes, draped gracefully across his body and tied to his arm, enhance his bravura.
Pictures in the collection of P. A. B.

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Cardinal Pietro Bembo by Titian

https://www.nga.gov/artworks/41638-cardinal-pietro-bembo

Pietro Bembo (1470–1547) wears the red biretta and cape of a cardinal. At the time Titian painted this portrait, Bembo had recently been elevated to that status in honor of his service to the Church and his scholarly career, although the writer’s literary output was almost entirely secular.
the painting is recorded in a 1730 inventory of Cardinal Francesco II Barberini (p.

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Ludolf Backhuysen | National Gallery of Art

https://www.nga.gov/artists/5957-ludolf-backhuysen

Ludolf Backhuysen, whose name appears in the literature in a number of different forms (for example, Bakhuysen, Backhuisen, and Bakhuizen), was born in the German town of Emden on December 18, 1631. He was the son of a scribe, Gerhard Backhaus, and initially followed in his father’s footsteps, working as a clerk in the government offices at Emden.
Full Moon, 1779, published 1781, aquatint printed on laid paper, Gift of Sherwood B.

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