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No one parties like the gods—at least not like the mythological ones in this painting, a collaboration by the Renaissance artists Giovanni Bellini and Titian. The picture was the first in a series of bacchanals commissioned by Duke Alfonso d’Este to decorate the camerino d’alabastro (alabaster study) of his castle in Ferrara.
The slip of paper on the barrel has been inscribed, “joannes bellinus venetus p

William B. Jordan, trans. P.

Art News 40, no. 17 (December 15-31, 1941):repro. p. 19 1942 "Recent Important

After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Maltechnik-Restauro 82 (1976): 14. 1977 Broos, Ben P. J.

to Alexander Charles Robert Vane-Tempest-Stewart, 9th marquess of Londonderry [b.

Kress, Rush Kress, P. A. B. Widener, Joseph Widener, Lessing J.

Foreword by Perry B. Cott and notes by Otto Stelzer.

B. Widener, the millionaire collector from Philadelphia.

Titian’s goddess of love and beauty conjures the sense of touch. Observing her flushed cheek, one can almost feel its warmth.
Petersburg;[4] purchased April 1931 through (Matthiesen Gallery, Berlin; P. & D.

Bellows Gallery Explore Selected Works See all 54 works of art Artwork Christine B.