Irene di Spilimbergo was about 20 years old when this painting was begun. Along with a pendant portrait of her older sister, Emilia, the two paintings were probably initially commissioned in anticipation of the prospective marriages of the two sitters.
New York House, 1886-1960: sales, 1901-1910, p. 62, reel 4, box 5; stock book, 1909
Consolidated Interrogation Report #2, The Goering Collection, 15 September 1945, p.
Dutch seventeenth-century artists drew their subject matter from all elements of society. The refinement of the wealthy burghers in the second half of the century was best captured by Gerard ter Borch the Younger.
1959):116-119, repro. 119, 296; 2(1960):147-148, no. 139. 1960 Baird, Thomas P.
This gruesome scene is from the Old Testament story of David defeating the giant Goliath. David is shown swinging the slingshot that brought down Goliath, whose severed head lies on the ground.
the Bargello, Florence, National Gallery of Art, Washington, D.C., 2004, fig. 13 (p.
Accession Number 1943.3.1347 Catalogue Raisonné Hind ‚Engravings‘, Vol. 1, p.139
Bibliography 1952 Molyneux 1952, [p.6]. 1961 French Paintings of the Nineteenth
Associated Names P. & D. Colnaghi & Co., Ltd.
Discover works by Sylvia Plimack Mangold and learn about the artist
paper · Accession ID 1998.40.355 Artwork Sylvia Plimack Mangold, Untitled (B)
The colorful life of one of the nation’s most important postwar artists.
Ellsworth Kelly, Wild Grape, 1960, graphite on wove paper, Bequest of William B.
