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Spinello Aretino. 1900 Catalogue of Paintings Forming the Private Collection of P.

Footnote Modal [1] Ben P. J. Broos in Ben P. J.

etching in black on wove paper Credit Line Corcoran Collection (Bequest of Frank B.

child / no work / Haunted House; bottom center: photo. 10.27.00; bottom right: ca/p

National Gallery, London, 1999: p.234, 235 (repro.).

privées en Suisse: La collection Emile Staub," L’Amour de l’Art, January 1926, p.

Irene di Spilimbergo was about 20 years old when this painting was begun. Along with a pendant portrait of her older sister, Emilia, the two paintings were probably initially commissioned in anticipation of the prospective marriages of the two sitters.
New York House, 1886-1960: sales, 1901-1910, p. 62, reel 4, box 5; stock book, 1909

Jan van Goyen composed this grand, visually compelling panorama of Rhenen, a medieval walled city on the Rhine River, in 1646. Situating the viewer near the winding road that leads to the city, he masterfully captured the overarching sky, undulating terrain, and vast sweeps of Dutch countryside for which that region was known.
However, in a letter of 18 November 1906 to Corcoran director Frederick B.

In 1775, Gilbert Stuart set sail for London where Benjamin West welcomed the destitute young man into his home. The Skater marks the end of his five-year apprenticeship to West.
John Stuart Bordewich, b. 1913] London; sold 1950 to the NGA.

This six-foot-wide canvas was something new for a 19th-century artist: it’s a sketch the same size as the final painting (now in the Frick Collection in New York).
studio by the artist until his death in 1837.[1] John (later Sir John) Pender [b.