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Diptych with Scenes of the Life of Christ and the Virgin, Saint Michael, John the Baptist, Thomas Becket, and the Trinity – German – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471976

This diptych is composed of two rectangular panels of ivory held together with four hinges, allowing it to close like a book. The smooth backs or exteriors reveals the vertical orientation of the ivory grain typical of medieval ivory carving, with the distal end of the ivory tusk facing downward
Ivories-Elephant Credit Line: The Cloisters Collection, 1970 Object Number: 1970.324.8a, b

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Tunic with Dionysian Ornament – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/447844

Tunic with Dionysos and Dionysian ThemesA longer, wider version of the tunic was the ubiquitous garment of the Late Antique period. This tunic is one of four in the Museum’s collection said to be from Akhmim, an ancient weaving center and apparently a center of both pagan and Christian thought and religion
New York: The Metropolitan Museum of Art, 1995. no. 31, listed p.46, ill. fig. 10

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Georges Seurat – Circus Sideshow (Parade de cirque) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437654

Circus Sideshow and Seurat’s Career: Circus Sideshow is one of only six major figure paintings Seurat created during his short but influential career. Born and raised in Paris as the son of a customs official, he pursued classical art training, including at least three years at the École des Beaux-Arts, and spent a year (1879–80) in military service in Brest before establishing himself as a professional artist in France’s capital city
B[ernheim].-J[eune]; dates it 1887–88.). Paris. Bernheim-Jeune.

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