Dein Suchergebnis zum Thema: "...<b/</p

Journal of Glass Studies, 9: p. 17, figs. 6–7. Stern, E.

Trustees of the Metropolitan Museum of Art 120 (Jul. 1, 1989–Jun. 30, 1990). p.

This luxurious ivory box is an outstanding example of approaches to art-making typical of French royal courts of the fourteenth century. Composed of six panels of ivory glued to cardboard, it is the type of precious and exclusive object that royals and high aristocrats desired, commissioned, and gifted during festive occasions like New Year’s Day
and tales from Greek antiquity in a series of vignettes (acc. no. 17.190.173a, b;

The Bulletin of the Metropolitan Museum of Art 28 (2), p. 24.

1920s, collection of Kaiky Muncherjee, Aden; [Gazdar Bros., Bombay]; 1943, bought by Joseph Brummer from Gazdar Bros., Bombay (Brummer inv. no. N5562); acquired by the Museum in 1947, purchased from the estate of Joseph Brummer, New York
Le Caire: Société royale de géographie d’Égypte, p. 106, p. 108, pl.

The comte d’Angiviller belonged to an ancient military family of the minor nobility. He had bravely served Louis XV (1710–1774) and the dauphin from 1745, as a page at the battle of Fontenoy, and in recognition of his early, brilliant military career was awarded the red ribbon and cross of the Order of St
"H., 2 p.

This panel and a scene showing the Flagellation of Christ (The Met 2001.216.2) come from a large dismantled retable probably made for the high altar of the former Collegiate Church (Kollegiatstift) of Sankt Maria und Sankt Georg, now the Neustädter Marienkirche, in Bielefeld
B.] Nordhoff. "Die Soester Malerei unter Meister Conrad."

Christos Bastis Collection, New York, from 1975; exhibited as a loan to the Brooklyn Museum, 1975-1999, in the major traveling exhibition Africa in Antiquity (Brooklyn, Seattle, New Orleans, The Hague, Netherlands) 1978-1979, and in the exhibition Antiquities from the Christos G
The Art Gallery, 22.2, p. 103. Bianchi, Robert 1978.

The son of a London barber and wigmaker, Turner dominated English landscape and marine painting in the first half of the nineteenth century. He studied in the Royal Academy schools from 1789 and first showed a painting at the Royal Academy exhibition in 1796; he was elected an academician in 1802 and continued to exhibit until 1850
London, 1862, vol. 1, p. 290; vol. 2, p. 402, as "merely a landing-place and shed

Prince Antonin Juritzky, also known as Alfred Juritzky-Warberg, Vienna or Schloss Gablitz, near Vienna (in 1923); [Nicholas A. Karger, until 193(?); sold to Kleinberger]; [Kleinberger, Paris and New York, until 1934; sold to Wildenstein]; [Wildenstein, New York, 1934–41; sold to The Met]
Harry B. Wehle. "A Painting of the Fontainebleau School."