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Louis Léopold Boilly – The Public Viewing David’s "Coronation" at the Louvre – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/438099

Boilly was born and educated around Lille. He moved to Paris in 1785 and exhibited at the Salon between 1791 and 1824. A painter in the tradition of Dutch seventeenth-century naturalism, for which he prepared by studying trompe l’œil as well as caricature, Boilly was well-known for genre scenes and for small-scale portraits, of which he claimed to have painted 4,500, most in single two-hour sittings
B. [Jean-Baptiste Boutard], "Beaux-Arts. Tableau du Couronnement; par M.

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Standing male worshiper – Sumerian – Early Dynastic I-II – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/323735

1933-1934, excavated under the direction of Henri Frankfort on behalf of the Oriental Institute of the University of Chicago; ceded to the Oriental Institute in the division of finds; acquired by the Museum in 1940, through an exchange of objects with the Oriental Institute
Abrams, p. 21, no. 6 (ill.), p. 217, no. 6. Moscati, Sabatino. 1960.

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Michelino da Besozzo (Michelino de Mulinari) – The Marriage of the Virgin – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437083

Beneath a curiously distended double arch of the nave of a church illuminated with bottle glass windows, the Virgin demurely extends her hand, on which a bearded Joseph places a ring rendered in raised, gilded pastiglia—the same technique used for the collar of the officiating priest and for the haloes decorated with pseudo-Kufic lettering
Art News 35 (May 1, 1937), p. 156, ill. p. 42. Charles Sterling.

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Antonio Vivarini – Saint Peter Martyr Healing the Leg of a Young Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437909

The Artist: Antonio Vivarini was a member of a family documented on the island of Murano (Venice) and Padua from the second half of the fourteenth century. His father, Michele, and the founder of the family, „Vivarinus vitruarius,“ were both glassmakers
Art in America 26 (April 1938), p. 92, ill. p. 89. Harry B. Wehle.

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The Baptism of Christ – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472157

From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.

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The Agony in the Garden – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472158

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.

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