Fragment, probably of a belt – Iran – Iron Age III – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/324108
Credit Line: Purchase, Joseph Pulitzer Bequest, 1950 Object Number: 50.196a, b
Dein Suchergebnis zum Thema: "...<b/</p
Hans Holbein the Younger – William Roper (1493/94–1578) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436661
William Roper, a Kentish landowner, lawyer, and four-time member of Parliament, was a member of Sir Thomas More’s household for more than sixteen years and married his eldest daughter, Margaret, in 1521
London, 1926, p. 225. Paul Ganz.
Panel with Byzantine Ivory Carving of the Crucifixion – Byzantine (ivory); Spanish (setting) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464015
From the Benedictine convent of Santa Cruz de la Serós, Jaca; Charles Stein(?), Paris; Sir Thomas Gibson Carmichael, Bart., Castle Craig(sold 1902); Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no
Carmichael sale, Christie, Manson & Woods, London(May 12–13, 1902, no. 36); [ Georges B.
Signed by Andokides – Terracotta amphora (jar) – Greek, Attic – Archaic – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/255154
Metropolitan Museum Journal, 9: p. 91. Hermary, Antoine. 1978.
Ahmad ibn al-Suhrawardi al-Bakri – Opening Folio of the 26th Volume of the "Anonymous Baghdad Qur’an" – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/451015
Folio from the Anonymous Bagdad Qur’anThis illuminated folio and folio no. 55.44 come from different sections of one of the acknowledged masterpieces of calligraphy and book production in the Islamic world
Ibid., p. 90. 4. Published in ibid., fig. 58. 5.
Furniture plaque carved in high relief with two Egyptianizing figures flanking a volute tree – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/325564
1962, excavated under the direction of Max Mallowan, on behalf of the British School of Archaeology in Iraq; ceded in the division of finds to the British School of Archaeology in Iraq; acquired by the Museum in 1962, as a result of its financial contribution to the excavations
Iraq 24, p. 46. Winter, Irene. 1976.
Rosary – German – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464300
Paris: Galerie Georges Petit, December 8–10, 1902. no. 68, p. 27, ill. p. 26.
Pablo Picasso – Nude in an Armchair – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/490587?oid=490587&locale=en
[Ambroise Vollard, Paris, sold by winter 1924 to Reber]; Dr. Gottlieb Friedrich Reber, Lugano and Lausanne (1924–37; sold in November 1937 to Cooper); Douglas Cooper, London (1937–d. 1984; inv. no. 65; estate no. DC 35/34; his bequest to McCarty-Cooper); his partner and adopted son, William McCarty-Cooper, London (1984–86; sold in November 1986 to Lauder); Leonard A. Lauder, New York (1986–2013; transferred on April 8, 2013 to the Leonard A. Lauder Cubist Trust); The Leonard A. Lauder Cubist Trust, New York (2013–21; gift to MMA)
Milan, 1972, p. 102, no. 291, ill. p. 101, as "Nudo femminile in poltrona".
Anthonie van Borssom – Barnyard Scene – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435723
The first convincing argument for the attribution of this work to Van Borssom was made by Niemeijer in 1962, and the attribution was adopted by the Museum in 1990. In his approximately two dozen known paintings and in his numerous drawings, Van Borssom proves to have been an eclectic artist whose ideas came from a considerable variety of Dutch painters and draftsmen
Arts and Decoration 7 (June 1917), p. 402, ill. p. 401 (hanging on wall), as by Potter