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New York: Time Life Books, p. 156.

Turner made three trips to Venice, in the late summers of 1819, 1833, and 1840, and the present painting, exhibited at the Royal Academy in 1835, must have been painted upon his return from his second visit, presumably using his own drawings and watercolors as source materials
CCCXVII b 23) and another, of about 1840, in the British Museum (1958,0712.443).

Muscarella, Oscar White. 1974. Ancient Art: The Norbert Schimmel Collection no. 60, Mainz am Rhein: Verlag Philipp von Zabern.von Bothmer, Dietrich, Carlos A. Picón, Joan R. Mertens, and Elizabeth J
Bulletin of The Metropolitan Museum of Art, 51(2): p. 61.

Mary Elizabeth Adams Brown ; Clark Collection Sally B.

A traveling troupe of commedia dell’arte actors entertains a party of Venetians enjoying a summer holiday on the mainland. Such performances often ended with a minuet, depicted here. The dancing couple may be the lovers Lelio and Isabella (sometimes called by other names), the only actors in the troupe who did not wear masks
B. Tiepolo: la sua vita e le sue opere.

Thomas B. Hess. "For Spacious Skies, and All That."

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Paris, [1904], p. 166, ill. p. 15. Emile Dacier.

Ratti Textile Center Modern and Contemporary Art 2 of 20 Soprano ophicleide in B-flat

1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Bulletin of the Metropolitan Museum of Art 30 (2), p. 44.

Provo, Utah, 1994, p. 73, fig. 44, ill. Laurence Libin.