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Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
B. D. B. Gattières, 1785, p. 22 [Collection Deloynes, vol. 14, no. 345].

New York: The Metropolitan Museum of Art, 1987. no. 17, p. 41.

The Metropolitan Museum of Art Bulletin (1968), vol. 26, p. 224, ill. Ernst J.

Kozloff, Arielle P., Betsy Bryan, and Lawrence Michael Berman 1992.

Credit Line: Rogers Fund, 1931 Object Number: 31.3.35a, b Museum excavations, 1929

The Artist: For a biography of Petrus Christus, see the Heilbrunn Timeline of Art History.The Subject and Function of the Painting: After Christ’s crucifixion, his corpse was taken down from the cross and prepared for burial
(March 1953), pp. 9–16; and Denis the Carthusian, “De dignitate et laudibus B.

Barbara Paley, 1978 Object Number: 1978.273a, b Inscription: (Right) H [Symbol]

BottleThis large bottle has a domed profile, a slightly flared cylindrical neck, and a low tooled foot. The decoration is divided into a series of bands. The band on the upper body includes three large medallions, each containing an eight-petaled green-and-red central star from which a complex scrolling pattern radiates outward to create a floral pattern; the outlines are in red, the background is blue and gold, and there are eight alternating pointed elements in red and white
Vienna, 1, p. 31. M.

Brooklyn, p. 84. Fischer, Henry G. 1977.

Marking: 1) (on nameboard) Loud & Brothers/Philadelphia;2) (in ink on back of soundboard) William Moore/Philadelphia/Jany 29th 1831./No 477 [and again in another hand] 477;3) (stamped on top key) T
Hufstader Gift, Richard B.