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Diptych with the Coronation of the Virgin and the Last Judgment – French – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/471975

This diptych is composed of a pair of thick ivory panels. Two modern hinges hold the panels together, allowing them to fold closed like a book and lock by means of a hook and eye latch on their outer rims
Ivories-Elephant Credit Line: The Cloisters Collection, 1970 Object Number: 1970.324.7a, b

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Plate with a hunting scene from the tale of Bahram Gur and Azadeh – Sasanian – Sasanian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/327497

[Before 1963, with Ayoub Rabenou]; from 1963, on loan by The Guennol Collection (Alastair Bradley Martin’s collection) to the Museum (L.63.10.2); until 1994, Alastair Bradley Martin’s family; acquired by the Museum in 1994, purchased from The Merrin Gallery, New York
[adapted from Benzel, Kim, Sarah B. Graff, Yelena Rakic, and Edith W.

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Attributed to Lorenzo Monaco (Piero di Giovanni) – The Intercession of Christ and the Virgin – Italian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/470328

Inscription: [on black band against background] PADRE MIO SIENO SALVI CHOSTORO PEQUALI TU / VOLESTI CHIO PATISSI PASSIONE (My Father, let those be saved for whom you wished me to suffer the Passion); DOLCIXIMO FIGLIUOLO PELLAC: / TE CHIO TIDIE ABBI MIA DI CHOSTORO (Dearest Son, because of the milk that I gave you, have mercy on them)
Florence: Giovanni Cirri, 1887. pt. 1: p. 241, pt. 2: p. 151. Poggi, Giovanni.

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