Inscription: Inscribed: (reverse, in a later hand) Ambrogio Borgognone fe.; (on Christ’s halo) IESVS CRISTV[S]; (on Virgin’s halo) [BE?]NIGNA; (on hem of Virgin’s cloak) NOMEN DOM[I]NI
Milan, 1936, p. 85. Harry B. Wehle.
–B. de La Faille. L’Oeuvre de Vincent van Gogh: Catalogue Raisonné.
New York: The Metropolitan Museum of Art, 1929. p. 40.
Inscription: Two stickers affixed to verso of mat; across top sticker: „Original Work From / SNOW WHITE / and / THE SEVEN DWARFS“; across bottom sticker: „This Material Inflammable / HANDLE WITH CARE / Frame Under Glass / Copyright 1937 / WALT DISNEY ENTERPRISES“
Hartford Courant, January 30, 1939, p. 4.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Forsyth, William H., and Margaret B. Freeman.
Classification: Vases Credit Line: Fletcher Fund, 1924 Object Number: 24.97.21a, b
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
B[ryson]. B[urroughs]. "Four Saints by Correggio."
Fagg, William B. The Epstein Collection of Tribal and Exotic Sculpture.
I, p. 345, vol. II, pl. 139, nr. 1. Dimand, Maurice S.
