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Daily Chronicle (October 5, 1912), p. 6 [reprinted in J. B.

Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
Metropolitan Museum of Art Bulletin, n.s, vol. 11 (1953). p. 103, ill. (b/w).

P2050).
The Metropolitan Museum of Art Bulletin 7 (7), p. 186-189, ill. p. 190.

The Artist: Together with Maso di Banco (for which see 43.98.13), Taddeo Gaddi was Giotto’s most celebrated pupil and assistant
B. C. Kreplin in Allgemeines Lexikon der bildenden Künstler. Ed.

This crucifix was made to be carried in processions and is painted on both sides. Before entering the Kress collection (Shapley 1966) the two sides were separated, but they were re-united in the Museum in 1988
Harry B. Wehle.

De Boccard, p. 165, pl. CXXVI, fig. 1102. Harper, Prudence O. 1969.

London: Harvey Miller Publishers, 1972. no. 125, p. 147, fig. 228.

Beads (1980.456, .457) and pendant (30.95.37)Among the luxury arts that flourished under the Fatimid caliphs, gold jewelry stands out for its innovation and complexity. According to literary sources, prodigious amounts of such jewelry were manufactured for both royal and patrician patrons; most of these items were later melted down for currency or refashioned into newer pieces
Catalogue by Mikhail B. Piotrovsky, John Vrieze, and others.

Sigismond Bardac, Paris (from at least 1903); [possibly Dikran G. Kelekian (American, born Turkey), Cairo, Paris, and New York (sold ca. 1909)]; George and Florence Blumenthal, Paris and NY (ca. 1909? or least 1927-1941)
Les Arts 16 (April 1903). p. 27, ill. p. 9.

–B. de La Faille. L’Oeuvre de Vincent van Gogh: Catalogue Raisonné.