Head of Emperor Constans (r. 337–50) – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/468717
Beeson, Nora B., ed. Guide to The Metropolitan Museum of Art.
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Sculptor/metalsmith close to Donatello – Sprite – Italian, Florence – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/207394
him in Yorkshire Exhibition of Arts & Manufactures at Leeds, May 1875 (catalogue p
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Column Statue of a King – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/466311
From the cloister of the royal abbey of Saint-Denis, France.; marquis de Migieu, Savigny-les-Beaune (about 1771?); vicomte de Vaulchier ; [ Dealer, Versailles (?)]; [ Alphonse Kann (French), Paris (sold 1920)]
B. Lippincott, 1950. p. 33, fig. 22. Comstock, Helen. "Connoisseur in America."
Zain(?) Hasan Sulaiman Isfahani – Stand for a Qur’an Manuscript – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/446151
Stand for a Qur’an Manuscript (Rahla) A masterpiece of design, this carved book stand, or rahla, is made from a single slab of teak and is framed by inlays composed of various woods in shades of brown and black
London: Peeter Davies, Ltd. by the Shenval Press, 1930. p. 190, ill. fig. 95 (b/w
Berlinghiero – Madonna and Child – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/435658
This is one of a very few works that may be attributed to Berlinghiero based on analogies of style with a Crucifix in the Museo di Villa Guinigi, Lucca, that is signed „Berlingherius me pinxit.“ The painter—a key figure in the history of Tuscan painting—was from Volterra and is first documented in 1228 together with his two sons Barone and Bonaventura, both of whom, together with a third son, Marco, also became painters
Edward B. Garrison.
Box with Romance Scenes – French – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464125
This group of five ivory panels are the reassembled elements of a „composite casket,“ so called by scholars because the narrative scenes that adorn them are vignettes from a variety of popular stories and chivalric romances
Sir Samuel Rush Meyrick, London and Goodrich (from at least 1835) [17.190.173a, b]
Edgar Degas – Dancers Practicing at the Barre – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/436139
Parnassus 2 (March 1930), p. 6. Harry B. Wehle. "The Exhibition of the H. O.
Bowl with a Figure and Birds – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/449495
Museum of Art Bulletin vol. 33, section II (1938). pp. 15–16, ill. frontispiece (b/
Painting by Habiballah of Sava – "The Concourse of the Birds", Folio 11r from a Mantiq al-Tayr (Language of the Birds) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/451725
The Concourse of the BirdsThe manuscript from which this painting comes was produced in 1483 at the Timurid court of Sultan Husayn Baycara at Herat. It contains four illustrations that may or may not be by the hand of Bihzad, the most famous artist of that era, but represent his innovative, perfectionist style
P. Dutton & Co., 1970. no. 157, p. 180, ill. (b/w). Swietochowski, Marie.