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Colossal Statue of Amenhotep III, reworked, reinscribed by Merneptah – New Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544479
Kozloff, Arielle P., Betsy Bryan, and Lawrence Michael Berman 1992.
Attributed to Joseph de FrÃas – Guitar – Spanish – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/503440
Scale length: 625 mmBody length: 466 mmNeck length: 374 mmLength of string: 24 5/8 in. (62.5 cm)Length of body: 18 3/8 in. (46.7 cm)Width of upper bouts: 9 in. (22.8 cm)Width of middle bouts: 6 15/16 in
; five-piece pine top with ebonized hardwood binding and ebonized hardwood/pine/b/
Peter Paul Rubens – The Garden of Love (left portion) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/334653
Inscription: Inscribed lower right: Petro Pauwlo RubbensOn back of mount: J C Robinson / July 18 1983 from Ld. Aylesford coll. (see Lugt suppl. 2141b)Lower center of mount in ink: 133Marking: Lower right collector’s mark of Sir John Charles Robinson (Lugt 1433)On mount collector’s stamp of Earl of Aylesford (Lugt 58)
Max Rooses L’Oeuvre de P. P. Rubens. vols.
Cuneiform tablet case impressed with two cylinder seals, for cuneiform tablet 66.245.5a: record of a lawsuit – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/328905
The Metropolitan Museum of Art Bulletin 41 (4), Spring 1984, p. 53, fig. 73.
Kushite Pharaoh – Third Intermediate Period – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/545027
Christos Bastis Collection, New York, from 1975; exhibited as a loan to the Brooklyn Museum, 1975-1999, in the major traveling exhibition Africa in Antiquity (Brooklyn, Seattle, New Orleans, The Hague, Netherlands) 1978-1979, and in the exhibition Antiquities from the Christos G
The Art Gallery, 22.2, p. 103. Bianchi, Robert 1978.
Leonardo da Vinci – Allegory on the Fidelity of the Lizard (recto); Design for a Stage Setting (verso) – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/339130
Inscription: Recto inscribed toward the center of the upper border in pen and medium brown ink by Leonardo, script reading from right to left:ilramarro . fedele allomo vede[n]do quello adorme[n] / tato
When the original negative was made in 1917 (37139 tf B and 37133 ff A) the stamp
Furniture support: lion’s leg – Old Assyrian Trading Colony – Middle Bronze Age–Old Assyrian Trading Colony – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/323568
De Boccard, p. 165, pl. CXXVIII, fig. 1104. Harper, Prudence O. 1969.
Animal flask – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/453670
Two Zoomorphic Bottles (69.153 and 1999.145)Like the blue bottle decorated with applied threads of blue glass (X.21.210), the playful utilitarian objects 69.153 and 1999.145 testify to the transition between two glassmaking traditions, the Roman and the Islamic, along the coastal zone of the Mediterranean region
Catalogue by Donald B. Harden and others. Milan, 1987.