After learning the fundamentals of drawing and painting in his native Leiden, Rembrandt van Rijn went to Amsterdam in 1624 to study for six months with Pieter Lastman (1583–1633), a famous history painter. Upon completion of his training Rembrandt returned to Leiden.
Pictures in the collection of P. A. B.
The Lackawanna Valley in northeastern Pennsylvania was home to the Lenni-Lenape peoples for centuries before the arrival of Europeans. The word Lackawanna comes from a Lenape term meaning “stream that forks,� which describes the Lackawanna River.
National Gallery of Art, Washington, 1970: 72, repro. 1971 Campbell, William P.
2019 Nuestra Señora: Confraternal Art and Identity in Early Colonial Lima Andrew P.
B. Widener. US servicemen in the Founders Room, c. 1942.
Isabella Brant was the first wife of the Antwerp master Peter Paul Rubens, whom she married shortly after his return from Italy in 1609. Just before Anthony van Dyck, one-time protégé and frequent collaborator of Rubens, left Antwerp in October 1621 for his own extended stay in Italy, he apparently presented this portrait to his mentor.
1930, as a painting by Peter Paul Rubens, through (Matthiesen Gallery, Berlin; P.
Galler und Basler Privatbesitz, Sammlung B., bought in); (Arthur Fischer, Lucerne
Pieter de Hooch worked in the small and relatively quiet city of Delft from 1652 to about 1660. Like other Delft artists, most notably Carel Fabritius and Johannes Vermeer, De Hooch painted everyday scenes that are remarkable for their clarity of perspective and harmony of light.
London, 1957: pl. 112. 1960 Baird, Thomas P.
P. 30 w 8, or the Crucifixion no. 156 of the Pinacoteca Vaticana).
This panel is one of two owned by the National Gallery of Art from one of the most important monuments of Western painting: the towering, two-sided altarpiece known as the Maestà by Duccio di Buoninsegna .
Foreword by Perry B. Cott and notes by Otto Stelzer.
Berlin;[1] acquired 1904 on joint account by (Durlacher Brothers, New York) and (P
