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A traveling troupe of commedia dell’arte actors entertains a party of Venetians enjoying a summer holiday on the mainland. Such performances often ended with a minuet, depicted here. The dancing couple may be the lovers Lelio and Isabella (sometimes called by other names), the only actors in the troupe who did not wear masks
B. Tiepolo: la sua vita e le sue opere.

Antonello is one of the most fascinating geniuses of Italian painting. His career remains poorly documented, and the means by which he became adept at the Netherlandish technique remain somewhat conjectural
Harry B. Wehle.

Sally B.

1967, excavated under the direction of David Stronach and John Hansman, representing the British Institute of Persian Studies and the Oriental Institute of the University of Chicago; acquired by the Museum in 1969, as a result of its financial contribution to the excavations
Dunscombe Colt Gift, 1969 Object Number: 69.24.29a, b 1967, excavated under the

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Organization and Conventions of Pottery Registers New Kingdom Pottery Register (p.

Met Fifth Avenue in Gallery 162 This statue and the similar work, 2003.407.8 a, b

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Goldner, Ian Wardropper, Thomas P. Campbell, Dita Amory, Laurence B.

Harkness Gift, 1920 Object Number: 20.3.209a, b Excavated by the Egyptian Expedition

Turner made three trips to Venice, in the late summers of 1819, 1833, and 1840, and the present painting, exhibited at the Royal Academy in 1835, must have been painted upon his return from his second visit, presumably using his own drawings and watercolors as source materials
CCCXVII b 23) and another, of about 1840, in the British Museum (1958,0712.443).

Tunic with Dionysos and Dionysian ThemesA longer, wider version of the tunic was the ubiquitous garment of the Late Antique period. This tunic is one of four in the Museum’s collection said to be from Akhmim, an ancient weaving center and apparently a center of both pagan and Christian thought and religion
New York: The Metropolitan Museum of Art, 1995. no. 31, listed p.46, ill. fig. 10