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The Artist: The Master of the Magdalen is the name given by Osvald Sirén (1922) to the anonymous artist who was active in the second half of the thirteenth century and painted a panel in the Galleria dell’Accademia, Florence representing Saint Mary Magdalen and eight episodes of her life (fig
Florence, 1943, p. 237, no. 73, ill. p. 236, as in the Straus collection, New York

Colony Medium: Clay Dimensions: a: 4 x 4.3 x 1.7 cm (1 5/8 x 1 3/4 x 5/8 in.) b:

New York: The Metropolitan Museum of Art, 1989, p
New York: The Metropolitan Museum of Art, 1989, p. 85, fig. 75.

Choulant-Frank, p. 201.

Kennedy Tod ; Mary Elizabeth Adams Brown Sally B.

BottleThis bottle clearly illustrates the transitional phase of development between Late Antique and early Islamic period artifacts. Of all the crafts, glassmaking was perhaps the most conservative in terms of both artistic continuity over time and the transfer of skills and ideas from one generation to another
London, p. 65, pl. 32i (related). Jenkins-Madina, Marilyn.

Shrine of Shaikh Safi Al-Din, Ardabil, Iran ; [ Vincent Robinson & Co., London, through Ziegler and Co., Sultanabad; in 1892;sold to Yerkes]; Charles Tyson Yerkes (American), New York, after 1892–d. 1905; his estate 1905–10, sold to MMA)
New York: The Metropolitan Museum of Art, 1930. pp. 245–46, ill. fig. 150 (b/w)

Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
Paris: Henri Laurens, 1929. p. 326. Rorimer, James J.

Credit Line: Purchase, Joseph Pulitzer Bequest, 1950 Object Number: 50.196a, b

Freeman, Margaret B. "The Unicorn Tapestries."