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Giovanni di Tano Fei – The Coronation of the Virgin, and Saints – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436299

This is the Museum’s only intact Gothic polyptych. It consists of a center panel showing the Coronation of the Virgin accompanied by two music-making angels, and two lateral panels with, from left to right, Saints Bernard, Sylvester, Nicholas, and Julian the Hospitaller
Burton B. Fredericksen and Federico Zeri.

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Adélaïde Labille-Guiard – Self-Portrait with Two Pupils, Marie Gabrielle Capet (1761–1818) and Marie Marguerite Carraux de Rosemond (1765–1788) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436840

Studying first with François Élie Vincent (1708–1790), a miniaturist whose Paris studio was in the same street as her father’s shop, Adélaïde Labille embarked upon her career before she was twenty
B. D. B. Gattières, 1785, p. 22 [Collection Deloynes, vol. 14, no. 345].

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Nude female figure – Israelite – Iron Age II – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/323163

1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Bulletin of the Metropolitan Museum of Art 30 (2), p. 44.

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The Harrowing of Hell – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472160

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.

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