Fred Wilson – The Mete of the Muse – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/909326
a: 63 1/2 × 14 1/2 × 25 3/4 in., 318 lb. (161.3 × 36.8 × 65.4 cm, 144.2 kg) b:
a: 63 1/2 × 14 1/2 × 25 3/4 in., 318 lb. (161.3 × 36.8 × 65.4 cm, 144.2 kg) b:
Inscription: Inscribed in graphite with numerous color notations, including, in left margin: „violet / fond jaune / violet / filaments bleus / fond blanc“; top center: „baguettes vertes et rouges“; right margin: „bleu et jaune le milieu des fleurs / bleu / violet / vert“; far right (oriented perpendicularly): „l’aigle qui [illegible]“Marking: Stamped in red ink, lower left: Delacroixp estate mark (Lugt 838a)
"Devotion to Drawing: The Karen B.
The Artist: Together with Maso di Banco (for which see 43.98.13), Taddeo Gaddi was Giotto’s most celebrated pupil and assistant
B. C. Kreplin in Allgemeines Lexikon der bildenden Künstler. Ed.
Trustees of the Metropolitan Museum of Art 120 (Jul. 1, 1989–Jun. 30, 1990). p.
Ratti Textile Center Modern and Contemporary Art 2 of 20 Soprano ophicleide in B-flat
Signed (lower left): PR; inscribed (verso, lower left) 17/35b.
: 33 1/2 × 72 in. (85.1 × 182.9 cm) a: 32 5/8 × 23 1/2 in. (82.9 × 59.7 cm) b:
Catherine Benincasa was born in Siena about 1347, died in 1380, and was canonized in 1461. She was a member of the Dominican order, a mystic, and minister to the poor and plague-stricken. This picture illustrates Saint Catherine’s miraculous levitation and exchange of her bloody heart with Christ
B[attista]. Cavalcaselle.
Donnan, Christopher B. and Donna McClelland. 1999.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Forsyth, William H., and Margaret B. Freeman.
as by Lanini; his estate sale, Christie’s, London, April 8, 1886, no. 235, as by B.