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Michele Giambono (Michele Giovanni Bono) – The Man of Sorrows – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436498

Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
B[attista]. Cavalcaselle. 2nd ed. [1st ed. 1871].

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Pair of bird-shaped handles – Iran – Iron Age II, Hasanlu Period IV – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/325138

1960, excavated under the direction of Robert H. Dyson Jr. on behalf of the Hasanlu Project sponsored by the University Museum of the University of Pennsylvania, the Archaeological Service of Iran, and The Metropolitan Museum of Art; acquired by the Museum in 1961, as a result of its financial contribution to the excavations
Constantine Sidamon-Eristoff Gift, 1961 Object Number: 61.100.3a, b 1960, excavated

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Relief panel – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/322613

1840s, excavated under the direction of Austen Henry Layard; 1849, presented by Layard to Lady Charlotte Guest for Canford Manor, Dorsetshire (Dorset), England; 1919, purchased by Dikran Kelekian from Ivor Churchill Guest; 1927, purchased by J
Louchheim, Aline B. 1949. “Near-Eastern Art Placed on Display: Metropolitan Shows

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