Said to have come from Alexandria (von Bothmer and d’Harnoncourt 1950, p. 9, no.
1972.118.95 Said to have come from Alexandria (von Bothmer and d’Harnoncourt 1950, p.
B 5095), and the Antikenmuseum, Kassel, Germany (inv.
De Boccard, p. 165, pl. CXXVI, fig. 1102. Harper, Prudence O. 1969.
London: Harvey Miller Publishers, 1972. no. 125, p. 147, fig. 228.
Bonne of Luxembourg (d. 1349) ; Charles V, King of France (by descent, d. 1380) ; Ambroise Firmin-Didot, Paris (until 1882) ; his sale, Hôtel Drouot, Paris (June 12–17, 1882, no. 3) ; Baron Horace de Landau, Florence (d
XIX b, c. Meiss, Millard.
Between 1878 and 1895, acquired by Julien Gréau; before 1903, acquired by John Pierpont Morgan (as part of the Gréau glass collection); until 1913, collection of John Pierpont Morgan, New York; 1913-1917, estate of J
× 1 5/16 in. (6.1 × 5 × 3.4 cm) Height (.a): 2 1/2 in. (6.3 cm) Height (.b): 15
Boston: Museum of Fine Arts, 1940. no. 168, p. 53. Freeman, Margaret B.
B[ryson]. B[urroughs]. "Principal Accessions."
Two Ceramic Tiles (nos. 02.5.91 and 1971.235.2)Major renovations undertaken about 1578 in the private quarters (or harem) of Istanbul’s Topkapı Palace during the reign of Sultan Murad III (r
B. Osgood Field, New York (until 1902; gifted to MMA) Denny, Walter B.
Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
–B. de La Faille. "Unbekannte Bilder von Vincent van Gogh."
