Scale length: 625 mmBody length: 466 mmNeck length: 374 mmLength of string: 24 5/8 in. (62.5 cm)Length of body: 18 3/8 in. (46.7 cm)Width of upper bouts: 9 in. (22.8 cm)Width of middle bouts: 6 15/16 in
; five-piece pine top with ebonized hardwood binding and ebonized hardwood/pine/b/
Theodore M. Davis Excavations by Quibell and Weigall, 1905. Acquired by Davis in the division of finds, 1905. Theodore M. Davis Collection 1905-1015. Bequeathed to the Museum by Davis, 1915; accessioned, 1930
from left 30.8.60a, b; 30.8.59a, b; 30.8.58; 30.8.56; 30.8.57 Artwork Details Use
× 27 ft. 8 in. (919.5 × 749.3 × 843.3 cm) b: (lion capital): 14 1/8 × 20 1/4
Fragmentary PlateThis shallow plate has a plain rim with a rounded edge. The wall curves down and in, with a depression ( diam. 4 cm [1 5/8 in.]) at the center of the floor. Most of the floor is missing; similar plates have either a plain base or three applied feet (see, for example, Smith 1957, no
96, vol. 2, p. 196 [sample 6365]).
Bulletin of the Metropolitan Museum of Art, 8(3): p. 95.Richter, Gisela M.
Bulletin of the Metropolitan Museum of Art, 8(3): p. 95. Richter, Gisela M.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Charles P. Coleman III Mr. and Mrs. Andrew Davis Mr.
Textile FragmentThe royal textile factories of al-Andalus were famous throughout the medieval world in a period when luxury textiles constituted one of the most valuable possessions in a ruler’s treasury as well as in the trousseaux of wealthy brides
Cambridge, Mass., 1996. p. 237; and Serjeant, R[orbert] B[ertram].
New York: Dutton Publishing, 1970. no. 113, p. 149. Beeson, Nora B., ed.
In addition to an innovative series of portraits (see The Met 14.40.645), Antonello has left a no less inventive series of bust-length images of Christ as the Man of Sorrows
B[attista]. Cavalcaselle.
