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Fragmentary Loom Width with Wavy-Vine Pattern – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/451101

Length of Fabric>One of the more popular layouts with Ottoman textile artists, and one that eventually found its way into other media such as ceramic tile decoration, the pattern on this fabric fragment features parallel undulating vines adorned with leaves and flowers
Metropolitan Museum of Art Bulletin, n.s, vol. 11 (1953). p. 103, ill. (b/w).

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Tughra (Insignia) of Sultan Süleiman the Magnificent (r. 1520–66) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449533

Tughra of Sultan Süleyman the MagnificentThe Ottoman Turkish sultans controlled one of the most efficient, well-organized, and effective governmental bureaucracies of early modern times; at the apex of this governmental structure was the Ottoman Imperial Chancery, which created, copied, and recorded all official governmental orders or decrees, known as firman, as well as treaties and official correspondence
Atil 1987, p. 41, no. 4.

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Relief panel – Assyrian – Neo-Assyrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/322611

1840s, excavated under the direction of Austen Henry Layard; 1849, presented by Layard to Lady Charlotte Guest for Canford Manor, Dorsetshire (Dorset), England; 1919, purchased by Dikran Kelekian from Ivor Churchill Guest; 1927, purchased by J
Louchheim, Aline B. 1949. “Near-Eastern Art Placed on Display: Metropolitan Shows

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Long-Necked Bottle – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/449097

Pierre Leven, Cologne (until 1853); his sale, J.M. Heberlé, Cologne, October 4, 1853, lot 137 (to Soltykov); Prince Alexei Soltykoff, Paris (1853–d. 1859); by descent to his brother, Prince Petr Soltykov, Paris (1859–61; his sale, Drouot, Paris, April 1961, lot 835,to Russel); Mr
Paris, 1859. ill. pl. 4 (b/w). Collinot, Eugène, and Adalbert de Beaumont.

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Carpet – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/446951?exhibitionId=%7B67f03ab5-3930-472a-b12a-f5f20ab10ff1%7D&oid=446951&pkgids=417&pg=1&rpp=4&pos=3&ft=*&locale=en

Inscription: Inscriptions: Outer guard band: Qur’an, ch. II, vv. 285, 286Main border: Qur’an, ch. II, v. 256Inner guard band: Qur’an, ch. VII, vv. 203–205 Border of niche: Qur’an, ch
New York: The Metropolitan Museum of Art, 1944. p. 288, ill. fig. 190 (b/w).

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