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Antoine Watteau – The French Comedians – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437925

Watteau did not participate in public exhibitions, nor title his pictures, whose meaning is often difficult to fathom. This late work is clearly a theatrical subject, and as he is known to have made drawings of comic actors and quacks from an early age, he must have been interested in the theater throughout his short life
Paris, [1904], p. 166, ill. p. 15. Emile Dacier.

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Dosso Dossi (Giovanni de Lutero) – The Three Ages of Humans – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436208

Giovanni de Lutero, known as Dosso Dossi, painted this landscape with figures soon after becoming court artist to Duke Alfonso I d’Este of Ferrara, where the artist arrived by July 1513. The subject is generally given as the Three Ages of Man, analogous to Titian’s well-known painting of the subject (National Gallery of Scotland, Edinburgh), with „youth“ represented by the youngsters who watch the amorous couple, who in turn represent „maturity“, while the two men in the background symbolize „old age“
Milan, 1936, p. 151. Harry B. Wehle.

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Attributed to Qu Ding – Summer Mountains – China – Northern Song dynasty (960–1127) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/39915

Inscription: No artist’s inscription, signature, or sealFrontispiece Unidentified artist, 1 column in standard script, undated: Summer Mountains by Yan Wengui燕文貴 《�山圖》Other inscriptionQing emperor Qianlong 清�乾隆 (r
Elliot Family and John B.

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The Baptism of Christ – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472157

From the Public Life of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1983-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.

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