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Tunic with Dionysos and Dionysian ThemesA longer, wider version of the tunic was the ubiquitous garment of the Late Antique period. This tunic is one of four in the Museum’s collection said to be from Akhmim, an ancient weaving center and apparently a center of both pagan and Christian thought and religion
New York: The Metropolitan Museum of Art, 1995. no. 31, listed p.46, ill. fig. 10

The Artist: Antonio Vivarini was a member of a family documented on the island of Murano (Venice) and Padua from the second half of the fourteenth century. His father, Michele, and the founder of the family, „Vivarinus vitruarius,“ were both glassmakers
Art in America 26 (April 1938), p. 92, ill. p. 89. Harry B. Wehle.

Marcel Lheureux, Paris, acquired 1920s]; P. Alsace; [John J.
20/2011–1/29/2012; Rietberg Museum, Zurich, 2/26–6/3/2012; catalogue no. 99, p.

Bulletin of the Metropolitan Museum of Art, 35(10): p. 202.

Gallery 171 The amphora comes from a shipwrecked cargo vessel (Grand Congloué B)

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Building a Collection of Islamic Art at the Metropolitan Museum, 1870–2011 Priscilla P.

Georg (II), Herzog von Saxe-Meiningen, Meiningen, Thuringia (by 1897–d. 1914); Bernhard (III), Herzog von Saxe-Meiningen, Meiningen (1914–d. 1928); Georg, Prinz von Saxe-Meiningen, Heldbourg, Thuringia (1928–29; sold to Douglas); [R
Jena, Germany, 1909, p. 168, ill. following p. 168.

Havemeyer, 1929 Object Number: 29.100.32a, b Mrs. H. O. (Louisine W.)

second half of 1730, and it is known that modeler Johann Gottlieb Kirchner (German, b.

This picture was painted in 1653 for the Sicilian nobleman Don Antonio Ruffo (1610/11–1678) and sent from Amsterdam to his palace in Messina during the summer of 1654. Ruffo was an avid collector; at his death he had 364 paintings, including a work by Van Dyck, Saint Rosalie Interceding for the Plague-stricken of Palermo, now also in The Met (Spiegel Historiael 4 (September 1969), p. 456, fig. 9. B[ob]. Haak.