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The Hunters Enter the Woods (from the Unicorn Tapestries) – French (cartoon)/South Netherlandish (woven) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/467637

Inscription: (on each corner and center): A [image of a knot] E [reversed] (unidentified)(on dog collar; twice): AE(on dog collar bearing arms; twice): AMarking: Arms (on dog collar on right): Quarterly, 1 and 4, barry of six or and azure, the first two bars debruised by three roses gules, seeded proper; 2 and 3, or, three escutcheons gules
Paris: Henri Laurens, 1929. p. 326. Rorimer, James J.

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Giovanni di Tano Fei – The Coronation of the Virgin, and Saints – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436299

This is the Museum’s only intact Gothic polyptych. It consists of a center panel showing the Coronation of the Virgin accompanied by two music-making angels, and two lateral panels with, from left to right, Saints Bernard, Sylvester, Nicholas, and Julian the Hospitaller
Burton B. Fredericksen and Federico Zeri.

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Nude female figure – Israelite – Iron Age II – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/323163

1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Bulletin of the Metropolitan Museum of Art 30 (2), p. 44.

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The Harrowing of Hell – Austrian – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/472160

From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.

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Master of the Magdalen – Madonna and Child – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437015

The Artist: The Master of the Magdalen is the name given by Osvald Sirén (1922) to the anonymous artist who was active in the second half of the thirteenth century and painted a panel in the Galleria dell’Accademia, Florence representing Saint Mary Magdalen and eight episodes of her life (fig
Florence, 1943, p. 237, no. 73, ill. p. 236, as in the Straus collection, New York

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