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This arresting portrait of an unidentified young Florentine is dated by most scholars to the 1530s. During that decade Bronzino was often engaged in painting members of a close-knit circle of acquaintances with whom he shared literary interests, and this sitter—who so conspicuously holds open a book—may be from among that group
Harry B. Wehle.

front b&w photo, front b&w photo, right profile b&w profile, back Artwork Details

Kozloff, Arielle P., Betsy Bryan, and Lawrence Michael Berman 1992.

Credit Line: Rogers Fund, 1931 Object Number: 31.3.35a, b Museum excavations, 1929

Paris: Henri Laurens, 1929. p. 326. Rorimer, James J.

When this panel was in the Kann and Havemeyer collections, it was highly regarded as a Rembrandt. The picture held its place in Rembrandt catalogues through Valentiner’s unreliable corpus of 1931, after which the work was dropped from scholarly discussions for fifty years
sale, Hôtel Drouot, Paris, April 18, 1868, no. 11, for Fr 55,000 to Narischkine); B.

Muzzarelli chapel, church of the convent of Sant’Andrea Apostolo, Ferrara (until at least 1787); Prince Eugène de Beauharnais, Herzog von Leuchtenberg, Munich (until d. 1824; cat., 1825, no. 40); Herzogen von Leuchtenberg, Munich and St
1852, p. 7, no. 36, pl. 36].

Oxford, 1976, vol. 1, p. 21 n. 8, p. 137 (notebook 31, p. 70), p. 151, suggests a

the sitter, the artist’s widow, Suzanne Manet, Paris (1883–94; sold on March 26, 1894, as „Moi chapeau noir / manteau gris“ [Me, black hat / gray coat], for Fr 60, to Vollard); [Ambroise Vollard, Paris, 1894–95; sold on March 5, 1895, as „esquisse de Manet / Mme Manet au chapeau / noir et manteau gris,“ for Fr 250 to Ménard-Dorian]; Mme Louise Aline Ménard-Dorian, Paris (1895–d
Harry B. Wehle. "A Loan of Paintings."

Case depth without lid: 9.25 in. (23.5 cm)3-octave span: 19.5 in. (49.5 cm)Length of longest string: 74.25 in. (188.6 cm)Length of shortest string: 4.75 in. (12 cm)Length of c2: 11 in
Preludio from Suite in B Minor by Domenico Zipoli.