Inscription: Signed and inscribed: (lower center) NICOLAVS·ZAFVRI·PINXIT·; (top, in Greek) [Christ] being dragged to the cross; (beside Christ’s head, in Greek) Jesus Christ; (right, on banner) SPQR
Florence, 1759, vol. 3, p. 5, describes a painting of this subject, with the same
Amazons in Greek Art. p. 114, Oxford: Clarendon Press.
: Russian Painter (16th–18th century) Medium: (a) tempera and gold on wood; (b)
The Metropolitan Museum of Art Bulletin (1968), vol. 26, p. 224, ill. Ernst J.
Inscription: Two stickers affixed to verso of mat; across top sticker: „Original Work From / SNOW WHITE / and / THE SEVEN DWARFS“; across bottom sticker: „This Material Inflammable / HANDLE WITH CARE / Frame Under Glass / Copyright 1937 / WALT DISNEY ENTERPRISES“
Hartford Courant, January 30, 1939, p. 4.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Forsyth, William H., and Margaret B. Freeman.
London: B. T. Batsford, Ltd., 1931. pl. XXVIII.
This diptych is composed of a pair of thick ivory panels. Two modern hinges hold the panels together, allowing them to fold closed like a book and lock by means of a hook and eye latch on their outer rims
Ivories-Elephant Credit Line: The Cloisters Collection, 1970 Object Number: 1970.324.7a, b
One of Correggio’s most significant early works, this altarpiece was painted for a church in the artist’s hometown (from whence his name derives) to the east of Parma. It was commissioned by a local patron, Melchior Fassi, and hung in his chapel in the hospital church of Santa Maria Verberator, usually known as Santa Maria della Misericordia, until 1690
B[ryson]. B[urroughs]. "Four Saints by Correggio."
