Harry B. Wehle.
Segredakis]; [1930-1947, with Joseph Brummer, New York (P7155)]; May 27, 1947, acquired
the Metropolitan Museum of Art, December 17, 1959–February 28, 1960. no. 107, p.
Bulletin of the Metropolitan Museum of Art, 8(2): p. 29. Richter, Gisela M.
Inscription: (obverse legend): + CONSTANTIVS / . IN XPO [should be CHRISTO] . DEO . FIDELIS . IMPERAT / OR . ET . MODERATOR / ROMANORVM . ET. SEMPER . AVGVSTVS (Constantine, faithful in Christ [and] in God, emperor and master of the Romans and forever Augustus)(obverse exergue): z34 (234) (reverse legend): : + MIHI : ABSIT : GLORIARI :
New York: The Metropolitan Museum of Art, 1999. no. 204, p. 168.
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Council on the Arts Stavros Niarchos Foundation Cynthia Hazen Polsky and Leon B.
The Artist: Simone Martini was one of the greatest and most influential painters of his time. His work combines an astonishing mastery of naturalistically observed details with an exquisite technique, beautifully exemplified in The Met’s painting of Saint Andrew by the description of the hands, the tilted book, and the dangling tassel and the refined tooling of the halo
Burton B. Fredericksen and Federico Zeri.
This altarpiece depicts Saint Roch (ca. 1348–1376/79), known as a plague saint for his miracles in curing the sick. He became a popular figure in art following the Black Death in the fourteenth century and the Italian plague outbreak of 1477–79
sculture et altre cose notabili . . . . 1603, c. 20 [Biblioteca Comunale, Bologna, Ms B
African king Jugurtha, in chains, walking before him, an event that took place in 104 B.C
B. Tiepolo: la sua vita e le sue opere.
