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Dimensions: Overall (a: cope): 58 × 122 1/2 in. (147.3 × 311.1 cm) Overall (b:

1902, excavated under the direction of R. Koldewey on behalf of the German Oriental Society; 1926, ceded to the Staatliche Museen zu Berlin, Vorderasiatisches Museum, in the division of finds; acquired by the Museum in 1931, purchased from the Staatliche Museen zu Berlin, Vorderasiatisches Museum
New York: The Metropolitan Museum of Art, p. 3, no. 2.

From the north nave of the former Carmelite church at Boppard-am-Rhein in Rheinland-Pflaz (Rhein-Hunsrück-Kreis), near Koblenz, Germany; Count Hermann Pückler, Muskau (from 1818) ; [ Frédéric Spitzer Austrian, Paris (from at least 1875-1893)] ; his posthumous sale, Chevallier & Mannheim, Paris (April 17–June 16, 1893, nos
New York: The Metropolitan Museum of Art, 1983. no. 29, p. 372.

PanelOne of the most fascinating and mysterious objects of early Islamic art in the Museum’s collection, this wood panel was acquired in 1937 from the dealer Paul Mallon in Paris
I. 5684 a-b); Museum of Islamic Art, Cairo (nos. 9518, 11636); Museum of Archaeology

Mosque LampThis lamp has a flattened, almost globular body with a long flared neck and a low folded foot. Three suspension loops are attached to the body. The enameled and gilded decoration consists of three main registers and four narrower bands of continuous vegetal patterns
P.

P.426). Mary Morsell.

Although a virtual contemporary of Jacopo Bellini, Giambono represents the final flowering of Late Gothic painting in Venice. It was the combined presence in Venice of Michelino da Besozzo, Gentile da Fabriano, and Pisanello that provided the reference points for his refined style, with its combination of decorative richness and acute description of flora and fauna
B[attista]. Cavalcaselle. 2nd ed. [1st ed. 1871].

Bulletin of the Metropolitan Museum of Art, 24(8): p. 203, fig. 6.Richter, Gisela
Bulletin of the Metropolitan Museum of Art, 24(8): p. 203, fig. 6.

From the former Lady Chapel of the Benedictine abbey of Saint-Germain-des-Prés, Paris (closed February 1792; panels possibly removed by November 25, 1796; chapel destroyed 1802); [possibly Jacques Seligmann, Paris and New York] ; Private Collection, Paris (until 1958) ; [ Brimo de Laroussilhe, Paris (1958–sold 1972)] ; [ Galerie für Glasmalerei, Zurich (1972–sold 1973)]
New York: The Metropolitan Museum of Art, 1975. p. 18.

From the abbey church of Saint-Guilhem-le-Désert, near Montpellier, France; Pierre-Yon Vernière, Aniane, France ; Charles Vernière, Aniane, France ; Antoine Labrigot, Carcasonne, France ; [ Louis Cornillon, Paris] ; George Grey Barnard American, New York (until 1925)
P. Dutton, 1970. pp. 247–49.