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Moretto da Brescia (Alessandro Bonvicino) – Christ in the Wilderness – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437157

This is an early work by Alessandro Bonvicino, known as Moretto da Brescia, who, along with Girolamo Romanino, was the dominant painter in the city of Brescia (then in the westernmost area of Venice’s mainland empire) in the first half of the sixteenth century
Brescia, 1898, p. 108 [see Ref. Begni Redona 1988]. P[ietro]. d[a] P[onte].

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El Greco (Domenikos Theotokopoulos) – Portrait of an Old Man – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436574

For over a century scholars have considered whether or not this sympathetic portrait of an old man is a self-portrait by El Greco. Lafond (1906) described the seemingly Romantic notion as at best a plausible hypothesis, and a number of more recent scholars (for example, Wethey 1962) have rejected the idea, mainly on the basis of comparisons with presumed self-portraits inserted by El Greco into several of his major religious pictures (see also Christiansen 2003)
Manuel B. Cossío. El Greco.

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Vincent van Gogh – Self-Portrait with a Straw Hat (obverse: The Potato Peeler) – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/436532

Recent studies of Van Gogh’s canvas supports, undertaken by the Thread Count Automation Project in collaboration with the Van Gogh Museum, have used thread count and weave pattern to identify canvases cut from the same bolt
B. de La Faille. "Unbekannte Bilder von Vincent van Gogh."

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