Relief showing procession of offering bearers – Middle Kingdom – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/544193
Credit Line: Rogers Fund, 1909 Object Number: 09.180.13a, b Excavated by the Egyptian
Credit Line: Rogers Fund, 1909 Object Number: 09.180.13a, b Excavated by the Egyptian
Edward B. Garrison. Italian Romanesque Panel Painting.
Burton B. Fredericksen and Darrell D. Davisson.
Inscription: Stickers: [1] HILLINGDON – 148/Dated E – 1757/Exhibited Three Reigns/Exhb. 1933. No. 469/South Kensington 1862/Nos. 1272 and 1273; [2] S.L.4340.6,7/Anonymous; [3] By DUPLESSIS/Active 1750–1774
of 1779 indicates that the potpourri vase in the form of a ship (see 58.75.89a, b)
Glass Bowl and DishOf all the different categories of Mughal glass, the milky-white color of this bowl and dish ensemble constitutes the rarest type.[1] The opaque surfaces of the bowl and its matching tray are decorated with identical flowering shrubs enclosed within oval compartments, painted in two shades of gold and silver, now tarnished into a dark metallic gray
) Classification: Glass Credit Line: Purchase, Cynthia Hazen Polsky and Leon B.
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Hearn, Seán Hemingway, Herbert Heyde, Marsha Hill, Timothy B.
Freeman, Margaret B. "A Romanesque Virgin from Autun."
B 5095), and the Antikenmuseum, Kassel, Germany (inv.
Davis, Newport, R.I. (1893–d. 1915; his estate, on loan to The Met, 1915–30) B[
The study of material derived from ash used in the ground preparations of paintings by both Spanish and Latin American artists in the Baroque period sheds new light on the spread of artistic practices beyond Spain.
taken with visible illumination (a, d, g, and i) and backscattered electron images (b,