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Bowl Produced in northeastern Iran, in the province of Khurasan during the Samanid period, this large bowl with its high, flaring sides and bold, rhythmically spaced inscription in „new-style“ script exemplifies the elegance and perfect harmony of the „black-on-white wares“ unearthed in the cities of Nishapur and Samarqand
Perpetual Glory: Medieval Islamic Ceramics from the Harvey B.

the high altar of the church of San Domenico, Modena (until about 1708–10); John Edward Taylor, London (until d. 1905); his widow, Mrs. John E. Taylor, London (1905–12; her sale, Christie’s, London, July 5 and 8, 1912, no
B. W[ehle]. "The Michael Dreicer Collection."

Moroni’s portrait of the Bergamasque professor Bartolomeo Bonghi (died 1584) is one of his finest works from the 1550s. Bonghi is shown seated on a Savonarolan-style chair with a book in his left hand, gazing toward the viewer, and with a cityscape through the window beyond
B[ryson]. B[urroughs]. "Venetian Paintings."

Said to be from Olympia (Mertens 1985, p. 19).
Le Musée, 3. p. 429, fig. 3, Paris. Baur, Paul Victor Christopher. 1912.

Handbook of the Classical Collection. p. 169, fig. 107, New York: The Metropolitan
Handbook of the Classical Collection. p. 169, fig. 107, New York: The Metropolitan

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
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From the convent of the Poor Clares at Buda (part of the modern city of Budapest); Countess V. Batthyany, Vienna ; Count Arthur Batthyany ; Frederick I, Grand Duke of Baden 1826–1907 ; his sale, Hôtel Drouot, Paris (January 28-29, 1867, no
Forsyth, William H., and Margaret B. Freeman.

Said to be from near Thessaloniki (Richter 1937, p. 292).
Object Number: 37.11.8–.17 Said to be from near Thessaloniki (Richter 1937, p.

Museum of Art Bulletin vol. 33, section II (1938). pp. 15–16, ill. frontispiece (b/

Modern and Contemporary Art 3 of 20 Cornet-trompe in D 5 of 20 Bass saxhorn in B-flat