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Glass-Stained Credit Line: The Cloisters Collection, 1936 Object Number: 36.39.1a, b

The Artist: One of the leading painters in mid-fourteenth century Italy, Giovanni da Milano was trained in Lombardy, where he developed a style of soft delicacy and precise observation of the natural world
Milan, 1936, p. 210. Harry B. Wehle.

Antonello is one of the most fascinating geniuses of Italian painting. His career remains poorly documented, and the means by which he became adept at the Netherlandish technique remain somewhat conjectural
Harry B. Wehle.

Bulletin of the Metropolitan Museum of Art, 6(11): p. 211. Richter, Gisela M.

Princeton, 1976, p. 15. Gail Gelburd.

The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Organization and Conventions of Pottery Registers New Kingdom Pottery Register (p.

Met Fifth Avenue in Gallery 162 This statue and the similar work, 2003.407.8 a, b

This painting, one of the key works of Ter Borch’s maturity, probably dates from about 1660–62. Though it was painted when the artist lived in Deventer, the luxurious interior and elegantly attired figures evoke the cosmopolitan milieu of Amsterdam
B. Descamps. La Vie des peintres flamands, allemands et hollandois.

The Yorkshire Archaeological Journal (1905), p. 408.

Douglas Dillon Gift and Rogers Fund, 1967 Object Number: 67.10a, b [By 1965, with