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Attributed to a painter of the Princeton Group – Terracotta neck-amphora (jar) – Greek, Attic – Archaic – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/258464

[By 1964 and until 1973, with Herbert Cahn, Basel]; 1973, purchased by Rosemary and George Lois from Herbert Cahn; 1973-2010, collection of Rosemary and George Lois, New York; on loan to the Metropolitan Museum of Art in 1973, 1992, and 1999; acquired in 2010, purchased from Rosemary and George Lois through Bobbie Entwistle of Entwistle London
Vase-Painters and to Attic Red-Figure Vase-Painters [2nd edition]. no. 58 ter., p.

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God Horus Protecting King Nectanebo II – Late Period – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/544887

Purchased from Eustache de Lorey, Paris, 1934; continuously exhibited and frequently published since that time; included in interational exhibition Cleopatra’s Egypt, Brooklyn and Munich, 1988, and La Gloire d’Alexandrie, Paris 1998
View #1 front right profile left rear left profile b&w, detail of King, right

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Giovanni Domenico Tiepolo – A Dance in the Country – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/437812

A traveling troupe of commedia dell’arte actors entertains a party of Venetians enjoying a summer holiday on the mainland. Such performances often ended with a minuet, depicted here. The dancing couple may be the lovers Lelio and Isabella (sometimes called by other names), the only actors in the troupe who did not wear masks
B. Tiepolo: la sua vita e le sue opere.

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Tunic with Dionysian Ornament – The Metropolitan Museum of Art

https://www.metmuseum.org/art/collection/search/447844

Tunic with Dionysos and Dionysian ThemesA longer, wider version of the tunic was the ubiquitous garment of the Late Antique period. This tunic is one of four in the Museum’s collection said to be from Akhmim, an ancient weaving center and apparently a center of both pagan and Christian thought and religion
New York: The Metropolitan Museum of Art, 1995. no. 31, listed p.46, ill. fig. 10

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