This is the Museum’s only intact Gothic polyptych. It consists of a center panel showing the Coronation of the Virgin accompanied by two music-making angels, and two lateral panels with, from left to right, Saints Bernard, Sylvester, Nicholas, and Julian the Hospitaller
Burton B. Fredericksen and Federico Zeri.
The Sons of Hephaistos: Aspects of the Archaic Greek bronze Industry. p. 154, Roma
Classification: Bronzes Credit Line: Rogers Fund, 1960 Object Number: 60.11.2a, b
(p. 209). Madrid. Fundación Juan March.
1932-33, excavated under the direction of James Leslie Starkey on behalf of The Wellcome-Marston Archaeological Research Expedition to the Near East; 1933, ceded to H. Dunscombe Colt in the division of finds as a result of his financial contribution to the expedition; acquired by the Museum in 1934, gift of Harris D
Bulletin of the Metropolitan Museum of Art 30 (2), p. 44.
Princeton NJ: Princeton Monographs, p. 92, pl. XXIX:2.
From the Passion of Christ window, choir of the castle chapel (the Schlosskapelle) at Ebreichsdorf, south of Vienna.; Lolowrat-Liebsteinsky, Ebreichsdorf (1843-73) ; Count Joseph Arco-Zinneberg, Ebreichsdorf (1873-1922) ; [ Duveen Brothers, London, Paris and New York] ; Mrs
Berlin: Akademische Verlagsgesellschaft Athenaion, 1913. p. 199.
New York: The Metropolitan Museum of Art, 1930. p. 241–42, ill. fig. 148 (b/w).
The Artist: The Master of the Magdalen is the name given by Osvald Sirén (1922) to the anonymous artist who was active in the second half of the thirteenth century and painted a panel in the Galleria dell’Accademia, Florence representing Saint Mary Magdalen and eight episodes of her life (fig
Florence, 1943, p. 237, no. 73, ill. p. 236, as in the Straus collection, New York
The Met presents over 5,000 years of art from around the world for everyone to experience and enjoy.
Paintings in The Metropolitan Museum of Art, 1350–1600 Ainsworth, Maryan W. and Joshua P.
Galleries, New York (November 22-23, 1963, no. 200) Forsyth, William H., and Margaret B.
