Plate with the Battle of David and Goliath – Byzantine – The Metropolitan Museum of Art https://www.metmuseum.org/art/collection/search/464377
Gesta 10, no. 2 (1971). p. 44. Beeson, Nora B., ed.
Gesta 10, no. 2 (1971). p. 44. Beeson, Nora B., ed.
P. Dutton, 1970. pp. 247–49. Rorimer, James J.
a: 63 1/2 × 14 1/2 × 25 3/4 in., 318 lb. (161.3 × 36.8 × 65.4 cm, 144.2 kg) b:
The Artist: Together with Maso di Banco (for which see 43.98.13), Taddeo Gaddi was Giotto’s most celebrated pupil and assistant
B. C. Kreplin in Allgemeines Lexikon der bildenden Künstler. Ed.
capture of Carthage by Publius Cornelius Scipio, an event that took place in 146 B.C
B. Tiepolo: la sua vita e le sue opere.
as by Lanini; his estate sale, Christie’s, London, April 8, 1886, no. 235, as by B.
Marking: Arms (central panel, left window): D’or au chevron de sable charge sur sa pointe d’une chaine de quatre chainons d’argent elle meme placee en chevron. For Ingelbrechts (Ingelbrechts or Ymbrechts) of Malines and Spain
Forsyth, William H., and Margaret B. Freeman.
Trustees of the Metropolitan Museum of Art 120 (Jul. 1, 1989–Jun. 30, 1990). p.
Donnan, Christopher B. and Donna McClelland. 1999.
Catherine Benincasa was born in Siena about 1347, died in 1380, and was canonized in 1461. She was a member of the Dominican order, a mystic, and minister to the poor and plague-stricken. This picture illustrates Saint Catherine’s miraculous levitation and exchange of her bloody heart with Christ
B[attista]. Cavalcaselle.